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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Jan van Scorel
Dutch
1495-1562
Jan Van Scorel Galleries
Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works.
In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere.
Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels.
Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands. |
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Jan van Scorel
Presentation of Jesus in the Temple
between 1524(1524) and 1526(1526)
Medium Oil on wood
cyf
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Jan van Scorel
Portrait of a Man of Thirty
1521(1521)
Medium Oil on wood
cyf
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Jan van Scorel
Mary Magdalen
1530(1530)
Medium Oil on oak panel
cyf
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Jan van Scorel
Lucretia
1535(1535)
Medium oil on oak
cyf
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Jan van Scorel
Portrait of a Man
1535(1535)
Medium oil on oak
cyf
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Jan van Scorel
Madonna of the Daffodils with the Child and Donors
Oil on panel, 56 x 76 cm
c. 1535(1535)
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Jan van Scorel
Landschaft mit Tobias und dem Engel
1521(1521)
Medium oil on panel
Dimensions 81.5 X 123.4 cm (32.1 X 48.6 in)
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Jan van Scorel
Mary Magdalene.
c. 1530(1530) (1525-1535)
Medium oil on panel
Dimensions 67 X 76.5 cm (26.4 X 30.1 in)
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Jan van Scorel
Portrait of Reinoud III van Brederode
c. 1545(1545)
Medium oil on oak panel
Dimensions 78.6 X 67 cm (30.9 X 26.4 in)
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Jan van Scorel
Landscape with Bathsheba
circa 1540-1545
Medium oil on oak panel
Dimensions 100.4 x 203.9 cm (39.5 x 80.3 in)
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| Jan van Scorel
|
Dutch
1495-1562
Jan Van Scorel Galleries
Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works.
In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere.
Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels.
Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.
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